Turkey: The Emerging ‘Silicon Valley’ of Mobile Gaming (2025 Update)

Industry Overview and Recent Growth

Turkey’s mobile gaming industry has surged in the last few years, transforming the country into one of the world’s most dynamic game development hubs. As of 2024, Turkey’s video game market expanded over 20% year-on-year to reach a value of $695 million, fueled primarily by mobile games.

Mobile titles now account for more than half of this revenue (about $375 million or 54% in 2024) as Turkish consumers increasingly turn to smartphones for entertainment. This growth trajectory is expected to continue – industry analysts projected total game revenues could approach $750 million in 2025, driven by strong mobile engagement and new games coming to market.

Several factors underpin this rapid rise.

Turkey boasts a large, young, and tech-savvy population (nearly 90 million people) with high smartphone usage and improving internet access.

Over 42 million Turks play video games, and mobile gaming has roughly 24% penetration of the population – a figure on track to exceed 26% by 2027.

The pandemic era saw a spike in mobile activity (daily device usage jumped from 3.2 to 4.3 hours), and that elevated engagement has held steady.

According to Newzoo, Turkey’s mobile gaming market has been “surged” by its youthful demographics and widespread smartphone adoption. In 2024 alone, Turkey was among the top three destinations in Europe and the Middle East for game investment, attracting $71.6 million in funding – a strong indicator of international confidence in the local talent pool. In fact, Istanbul now stands as the second-largest gaming hub in EMEA (Europe, Middle East, Africa) after the UK, and Turkey is counted among the top 10 countries globally in game development activity.

Mobile Gaming Capital

Such momentum has earned Istanbul nicknames like the new “mobile gaming capital” of the world, as the country evolves from an emerging player into a fully developed ecosystem for game creation.

Key Companies and Homegrown Success Stories

A number of homegrown studios have spearheaded Turkey’s rise, achieving global success and multi-billion dollar valuations. Peak Games put Turkey on the map with its early hits (e.g. Toon Blast and Toy Blast) and was acquired by Zynga in 2020 for a record $1.8 billion. Around the same time, Istanbul-based Gram Games (creator of 1010! and Merge Dragons!) was bought by Zynga for $250 million, signaling that Turkish studios were not just competitive but highly sought-after by global publishers. More recently, Dream Games – founded in 2019 by former Peak talent – released the puzzle smash Royal Match, which dethroned Candy Crush as a top-grossing global game.

Dream Games became Turkey’s fastest startup to reach unicorn status, hitting a $2.75 billion valuation by 2022, and is now reportedly valued around $5 billion, proving that Turkish companies can achieve sustained success beyond the hyper-casual genre. Another notable entrant is Spyke Games, which raised an unprecedented $55 million seed round in 2022 (one of the largest seed financings in gaming) to build casual mobile games. These success stories, among others, have spawned a new generation of Turkish game startups led by experienced founders and alumni of earlier hits.

Turkey’s studios have excelled especially in mobile puzzle, casual, and hyper-casual genres. As of early 2025, Turkish developers had 8 titles in the top-grossing 100 on Apple’s App Store, including puzzle hits like Royal Match (Dream Games) and hyper-casual sensations such as Color Block Jam (Rollic). Other prominent local companies include Good Job Games (a prolific casual publisher), Rollic Games (which specialized in hyper-casual and was later acquired by Zynga), Bigger Games (known for Kitchen Masters, a culinary-themed casual game), Ace Games (maker of Fiona’s Farm), Panteon, Fomo Games, Loop Games, and Masomo (developer of Head Ball 2 in sports genre). Many Turkish studios have garnered massive global download counts – for example, the top 10 Turkish game developers have collectively exceeded 3 billion downloads worldwide. This critical mass of local expertise has earned Turkish companies spots among the global elite: both Peak and Dream Games rank in the world’s top 20 mobile gaming firms by performance. In short, Turkey’s “golden era” of game development has produced a cadre of domestic studios that consistently launch chart-topping titles.

International Players and M&A Activity in Turkey

International gaming companies have taken notice of Turkey’s booming scene, leading to a wave of investments and acquisitions (“M&A”) that cement the country’s status as a global mobile gaming hub. U.S. giant Zynga (now part of Take-Two Interactive) made multiple landmark acquisitions of Turkish studios: after picking up Peak and Gram Games, Zynga also bought 80% of Rollic Games in 2020 (completing the full acquisition in 2021) to capitalize on Turkey’s hyper-casual prowess.

Finland’s Rovio Entertainment (of Angry Birds fame) acquired Izmir-based Ruby Games – known for the hit hyper-casual Hunter Assassin – in a deal valued up to ~$90 million.

Similarly, Las Vegas-based SciPlay Corp. expanded into casual gaming by purchasing Ankara-based Alictus (a mobile studio behind titles like Fidget Toys and Candy Challenge) for $100 million. South Korean firms have joined in as well: in late 2024, Seoul-based DoubleU Games acquired Istanbul’s Paxie Games (maker of Merge Studio: Fashion Makeover) in a deal worth up to $67 million, marking the Korean company’s entry into the fast-growing “merge puzzle” genre.

And in November 2024, global studio Game District took a majority stake in Turkey’s Gleam Games, known for its mobile puzzle titles, as part of its international expansion strategy. These deals underscore the strong appetite of foreign publishers for Turkish talent and intellectual property. Major players like Tencent, Netmarble, and others have also either invested in Turkish startups or formed partnerships, attracted by the innovation coming out of Istanbul’s studios.

Notably, Turkey’s high-profile exits have often been win–win: local founders realize large paydays while global acquirers gain successful products and teams.

Peak’s $1.8B sale to Zynga, for instance, gave Zynga two of the world’s top-grossing puzzle games, and Zynga’s parent now operates Peak and Rollic as its Turkish subsidiaries, keeping their offices and talent in-country.

The continued presence of these globally owned studios means companies like Zynga/Take-Two and Rovio (now itself owned by Sega) are operating in Turkey long-term, effectively integrating Turkey into their global development networks.

Government incentives (discussed later) have even prompted some international publishers to open local offices or partner with Turkish studios directly. All told, the M&A trend highlights Turkey’s emergence as a strategic hub: it is one of the few places outside the U.S. and East Asia producing mobile gaming hits at scale, making it a prime hunting ground for acquisitions by larger international firms.

Investments, Venture Capital, and Funding Trends

Turkey’s gaming sector has enjoyed vibrant venture capital activity, with both local and international investors pouring money into new studios.

After the big exits of late 2010s, an investment boom followed in 2020–2022: for example, Dream Games drew top global funds (Index Ventures, Makers Fund, BlackRock, etc.) across multiple rounds totaling $468 million, and Spyke’s $55M seed was led by Griffin Gaming Partners (US). By 2024, Turkey remained a magnet for gaming VC funding, even as global markets cooled. In total, 25+ venture funds (many specialized in gaming) are active in Turkey’s ecosystem.

New funds such as Laton Ventures and Ludus Ventures have launched in Istanbul focusing exclusively on game startups.

According to industry data, Turkey attracted $71.6 million in game startup funding in 2024, keeping it among the top investment destinations in its region.

And 2025 is on pace to set records: in just the first half of 2025, Turkish game companies raised over $90 million through sales or VC rounds.

Some notable recent deals include: Bigger Games raising $25 million Series A in mid-2025 to scale up its team after surpassing 110 million downloads; Grand Games (maker of Magic Sort) raising $30 million Series A in late 2024; Good Job Games securing a $23 million investment round in 2025; and earlier-stage studios like TaleWorld (TaleMonster) Games and Agave Games each closing 2024 funding rounds in the high seven figures.

Even seed funding rounds are sizeable – e.g. Libra Softworks raised $30M in late 2021 and Cypher Games raised $10M in 2023, demonstrating that promising teams can quickly obtain capital. This ready availability of funding represents a dramatic change from five years ago, when young Turkish studios often struggled to find seed money.

Today, investors are competing to back Turkey’s next hit: a new studio with a solid prototype can attract financing fast, without needing to bootstrap through many small iterations. In addition, alternative financing models are emerging – one firm, Leus, offers user-acquisition (UA) funding so developers can scale their games’ marketing without diluting ownership.

Overall, the venture ecosystem around gaming in Turkey is robust and maturing: early successes by Peak, Dream, etc., have created repeat founders and a network of mentors, while capital from both VC funds and corporate investors is flowing in to fuel the next generation of startups.

On the M&A side, as noted, several mid-sized acquisitions took place in 2021–2024 (Ruby, Alictus, Paxie, Gleam, etc.), although industry observers have noted a relative slowdown in giant acquisitions after 2022. Unlike the earlier wave where Zynga scooped up multiple Turkish studios in quick succession, recent exits have been more measured in size.

One trend to watch is the lack of domestic consolidation – Turkish game companies are not yet commonly acquiring each other. Most exits involve foreign buyers, and there haven’t been many cases of a Turkish studio merging with or buying a local peer (which would indicate a very mature ecosystem with larger homegrown publishers).

For now, the pattern is that strong Turkish teams often find an international exit, while new startups continue to sprout with ample VC backing. The result is a continuously replenished pipeline of game studios: high-profile exits return experience and wealth to the ecosystem (with founders often reinvesting or starting new ventures), and plentiful funding ensures fresh startups can always emerge.

Government Support, Grants and Incentives

One of Turkey’s biggest competitive advantages in gaming is the extensive government support available to tech companies. The country has established one of the world’s most comprehensive incentive systems for the IT sector, and gaming studios benefit directly from these programs. A combination of tax breaks, grants, and reimbursements substantially lowers the cost of doing business for game developers:

• Tax Exemptions and “Teknopark” Zones: Companies based in officially designated Technology Development Zones (Teknoparks) enjoy significant tax holidays. Income and corporate taxes on software and game development profits can be exempted (often 100%) through at least 2028, and R&D personnel salaries may be exempt from income tax as well. Additionally, employers get social security premium reductions for technical staff. These incentives effectively create tax-free environments where studios can reinvest earnings into growth. Over 200 game startups are reportedly housed in Istanbul’s various Teknoparks, co-located with universities to facilitate collaboration.

• Grants and Reimbursements: Under programs like Decree No. 5447 and the “E-Turquality” Digital Support initiative, game developers can get a large portion of their expenses reimbursed by the state. For example, 60–70% of digital advertising and user acquisition costs can be covered by government grants in some cases. This means if a studio spends on marketing their mobile game internationally, the government will pay back more than half the cost – enabling Turkish games to scale user acquisition aggressively. Likewise, expenses for software licenses, cloud services, platform fees (App Store/Google Play commissions), and even developer salaries can qualify for partial reimbursement. One specific program subsidizes up to 50% of two developers’ salaries (capped at €50K) and 50% of app store platform fees (up to €100K) for eligible companies. These generous schemes essentially act as an extra lifeline for startups, reducing burn rate and encouraging investment in quality tools and talent.

• R&D and Innovation Support: Turkey’s laws such as Law No. 5746 (R&D Incentives) and Law No. 4691 (Tech Development Zones) provide additional support for research and innovation. Companies engaged in game R&D projects can receive direct grants from TÜBİTAK (the national scientific research council) and Teydeb programs, as well as benefit from 100% tax deductions on R&D expenditures. In practice, this means if a studio is developing a new game engine module or an AI-driven game feature, a substantial part of the development cost might be offset by government funds or tax credits. These policies encourage technical innovation in gaming (e.g. use of AI tools, new graphics technology) by lowering the financial risk of R&D.

Collectively, these incentives have been described as “Turkey’s most underrated advantage” in attracting tech companies. They lower the friction to grow by cutting costs that startups elsewhere must bear fully. Many studios credit the support system for allowing them to focus on product quality and global user acquisition without being immediately constrained by cashflow.

Notably, executives in the industry have called for expanding such game-specific incentives even further – for instance, tailored tax breaks or publishing grants just for gaming – to cement Turkey’s edge.

The government’s wider tech agenda includes the HIT-30 program (High Technology Initiative to 2030), launched in mid-2024, which aims to make Turkey a high-tech industrial hub by 2030 and implicitly supports sectors like video games under that umbrella.

In terms of education and training, Turkey is also nurturing future game developers. Several universities (e.g. Bahçeşehir University, Bilgi University, Ankara University) now offer four-year digital game design degrees.

Bahçeşehir’s BUG Lab, for example, integrates formal education with an incubation center for student game projects. Industry associations such as OYUNDER (Game Developers and Publishers Association) and TOGED actively collaborate with academia to ensure curricula match industry needs.

Leaders in the sector have urged even closer ties between public stakeholders and educational institutions – such as specialized training programs, game development bootcamps, and inclusion of game coding in tech curricula – to cultivate a larger skilled workforce for the gaming sector.

The Turkish government has also supported initiatives like coding academies, and via the Ministry of Trade, it provides support for game startups to attend global expos (e.g. Game Developers Conference) to gain experience. All these efforts contribute to a pipeline of talent that will sustain the industry’s growth.

Tech Talent, Startup Culture, and Infrastructure

Another pillar of Turkey’s emergence as a gaming powerhouse is its rich talent pool and startup-friendly culture. Turkey has a young, well-educated workforce with strong engineering and design capabilities. Gaming has now become one of the most sought-after industries for new graduates, thanks to the success stories they’ve seen – it’s reportedly the #1 industry of choice for many fresh university graduates in Turkey.

This influx of enthusiastic talent, combined with an entrepreneurial mindset, has led to the formation of hundreds of game studios across the country (industry sources suggest 400+ game development studios are active, with Istanbul alone hosting roughly half of them).

The community is bolstered by numerous incubators and accelerators dedicated to gaming: as of 2025, Turkey is home to around 12 gaming incubators and 21 accelerators, offering early-stage teams mentorship, workspace, and business support. Annual events like the Mobidictum Conference in Istanbul and the Gaming Istanbul (GIST) expo further cultivate a vibrant startup scene, connecting developers with publishers, investors, and international peers.

Infrastructure and cost-of-operation play a significant role in Turkey’s appeal. The country enjoys widespread 4G/5G mobile coverage and high broadband penetration in urban areas, ensuring that developers and users alike have reliable internet – a crucial factor for mobile gaming.

Smartphone penetration exceeded 75% of the population by 2022 and continues to grow, meaning a large domestic user base is readily reachable.

Modern co-working spaces and tech hubs in Istanbul, Ankara, and Izmir provide affordable offices for startups. In comparison to Silicon Valley or Seoul, the cost of talent in Turkey is significantly lower (salaries and living costs can be a fraction of those in the US or Korea), which allows Turkish studios to operate very cost-efficiently. This cost advantage, paired with the government incentives noted above, means a Turkish game startup can often stretch a dollar much further in development and marketing than its competitors in higher-cost ecosystems.

However, the rapid growth has also introduced challenges on the talent front. Many studios now face intense competition for experienced developers and artists, which has led to a tightening labor market. While Turkey is “talent-rich” in a general sense, the explosive expansion of the gaming sector has made homegrown talent a bottleneck for some companies.

Essentially, there are more open positions than qualified candidates with relevant game experience, especially in specialized roles (senior Unity/Unreal engineers, product managers with global hit experience, etc.).

Almost all Turkish studios tend to hire locally (culturally and linguistically, teams work in Turkish), which means they are not yet tapping overseas labor markets much. This insularity can exacerbate the talent squeeze.

To address this, some leaders advocate for attracting foreign experts and encouraging more diversity in hiring, as well as accelerating training programs to upskill new grads. The industry will need to ensure the talent pipeline keeps pace – for instance, by encouraging more youths to pursue game development careers and possibly by offering incentives for Turkish diaspora or international talent to work in Turkey’s game sector.

Culturally, Turkey’s startup culture in gaming is often described as fast-moving, pragmatic, and creative. Teams are known for rapid prototyping and “hyper-iteration,” especially in the hyper-casual genre where success often comes from testing many ideas quickly.

This has led to a high volume of experimental games and, admittedly, a high rate of failure for those that don’t catch on. For every Peak or Dream Games, there are dozens of studios that tried and didn’t scale. Nonetheless, this culture fosters resilience and learning. Successful founders frequently become angel investors or mentors to newcomers, recycling knowledge within the community.

As a result, new startups are often founded by veterans of earlier companies (e.g. ex-Peak, ex-Massive Joy, etc.), creating a “repeat founder” dynamic that strengthens the ecosystem. There is also a strong camaraderie – industry groups, meetups, and online forums allow teams to share tips on user acquisition, monetization strategies, and technical solutions. In effect, Turkey has built a self-sustaining ecosystem: a critical mass of talent, capital, and know-how that feed into each other, much like Silicon Valley’s tech scene but focused on mobile games.

Comparison with Global Mobile Gaming Hubs

How does Turkey stack up against established mobile gaming hubs like Silicon Valley (USA) and South Korea? The table below provides a snapshot comparison of key metrics and characteristics:

(Turkey’s local market; Turkish studios’ global revenue is higher) | ~$20 billion (U.S. overall est.)
(largest Western market) | ~$6.8 billion (4th largest globally) (12.3% annual growth) | | Number of Gamers | ~42 million (pop. 85M) – ~50% play mobile games | ~210 million (pop. 334M) – ~63% play games (all platforms) | ~24 million (pop. 51M) – ~47% play mobile games | | Notable Mobile Game Companies | Peak Games, Dream Games, Rollic, Good Job Games, Masomo, Gram Games | Zynga (Take-Two), Niantic, Scopely, Machine Zone, Jam City (LA), etc. | Netmarble, NCSOFT, Nexon, Com2uS, NC/Netmarble (many globally top-grossing titles) | | Major Hits & Genres | Puzzle & Casual (e.g. Royal Match, Toon Blast) and Hyper-casual arcade. Few mid-core titles (one notable PC hit, Mount & Blade) | Casual & Mid-core mix. Casual hits (Candy Crush) and mid-core (Clash of Clans, etc. Silicon Valley is also home to platform giants like Apple/Google). | RPG & Strategy dominate mobile revenue (RPG ~47% of mobile revenue); strong MMO/E-sports culture. Also thriving PC/console sector (e.g. League of Legends scene). | | Startup & VC Environment | Very active startup scene: 400+ studios; gaming-focused VCs (e.g. Ludus, Laton). ~$72 M VC funding in 2024. Several unicorn exits (Peak, Dream). Government incentives reduce costs. | Huge availability of venture capital (general tech VCs and some game-specific funds). Silicon Valley has a long history of gaming startups, but competition for VC can be intense. Many companies now are large or acquired. | Mix of chaebol-backed gaming giants and smaller startups. Major conglomerates and corporate funds invest in gaming. Government and telecom firms support e-sports. Fewer new indie studios compared to Turkey, as market is dominated by big players. | | Government Support | Strong: Tax holidays in tech zones, R&D grants, 50–70% reimbursements for marketing and salaries. Proactive government focus on tech sector growth (HIT-30). | Moderate: No game-specific national incentives; general R&D tax credits and state programs exist but not targeted at games. Industry grew mostly via private sector. Some state-level subsidies for studios in certain U.S. states, but not in CA specifically. | Moderate: South Korea invested heavily in internet infrastructure and fosters gaming culture (e.g. support for e-sports arenas). Some government grants for content creation, but also regulatory challenges (e.g. gaming curfews for youth). No broad tax exemption scheme like Turkey’s; however, cultural export programs (like KOCCA) do fund game projects. | | Key Strengths | Cost-effective, young talent; robust state incentives; quick iteration culture. Geographic bridge between European and MENA markets (cultural affinity). Proven track record with global hits and acquisitions. Strong community and knowledge-sharing. | Deep talent pool and experience; access to massive capital; large domestic market for revenue. Ecosystem benefits from presence of tech giants and a mature startup culture. Global marketing and distribution know-how centered in SV. | High monetization and gamer spend; rich gaming tradition; home to global publishers. Korean users set trends in RPG/competitive games. Advanced network infrastructure (world’s fastest internet). Government promotes gaming as a cultural export (K-games wave). | | Key Challenges | Talent strain – senior talent in short supply as ecosystem expands. Narrow genre focus so far (few successes in RPG/FPS). Relatively small domestic market (relies on global audiences). Economic volatility can affect costs (e.g. currency fluctuations). Need to prove longevity beyond first hits. | High costs – salaries, rent, etc. are among the highest globally, raising burn rates. Intense competition for both talent and users (competing with Big Tech and entertainment firms). Less direct govt support means reliance on private funding. Also, U.S. market growth has matured (slower growth rates). | Market saturation – local market is highly competitive with entrenched incumbents. Regulatory issues (past restrictions on gaming time for youth, etc.). Heavy focus on a few genres can limit global appeal of some titles. Development costs are high for AAA mobile content. Brain drain of talent to larger tech firms occasionally a concern. |

Commentary:

In summary, Turkey vs Silicon Valley: Turkey’s mobile gaming scene has some clear advantages over Silicon Valley’s.

It operates at lower cost with generous government support, which gives startups a longer runway to experiment and find a hit. Turkey also has the benefit of a singular focus on games – many of its brightest tech entrepreneurs are choosing gaming, whereas Silicon Valley’s talent is spread across various tech industries.

On the other hand, Silicon Valley (and the broader US) enjoys a gigantic home market and a mature ecosystem built over decades. American mobile game companies can more easily access large financing rounds (though Turkish firms have started catching up in funding efficiency) and have nearby access to global advertising and platform partners.

Silicon Valley is still home to many headquarters of major gaming firms and ad networks, giving it an ecosystem density that is hard to match. Turkey’s challenge will be to maintain its growth and retain talent – the allure of higher salaries in Silicon Valley or Europe could attract Turkish developers abroad if domestic opportunities plateau. For now, however, Turkey’s collaborative community and cost advantages make it a formidable “upstart” hub, often likened to Silicon Valley in its golden era of garage startups.

Turkey vs South Korea: South Korea represents an older, highly-developed gaming hub, known for blockbuster online games and a culture deeply ingrained with gaming. Compared to Korea, Turkey’s industry is more globally oriented from day one – Turkish mobile games are almost entirely made for export (with the US and Europe as top markets), whereas Korean companies historically thrived by monetizing a strong domestic user base before expanding overseas.

Turkey’s strengths lie in innovation in new genres (like hyper-casual) and a flexible startup environment, whereas South Korea’s strengths are in scale and depth – Korean companies have larger development teams working on big-budget titles (especially RPGs and competitive games) and benefit from a high-spending gamer population domestically.

Government involvement also differs: Turkey uses financial incentives to spur entrepreneurship, while South Korea’s support has been indirect (building internet infrastructure, funding e-sports, etc.). In South Korea, there is a close relationship between gaming and telecom/tech conglomerates, leading to an ecosystem dominated by a few giants. Turkey’s scene is more fragmented but arguably more entrepreneurial with many independent studios. One weakness for Turkey compared to Korea is the lack of diversity in game genres so far – Korean developers produce a wide range from casual to hardcore, whereas Turkish hits have clustered in puzzle/casual categories.

This could change as Turkish studios mature and take on more genres (already some are expanding to PC/console development, seeing a 133% jump in Turkish-made PC/console titles in 2024). Ultimately, both hubs have proven capable of world-class output: Korea through long-running franchises and highly polished MMORPGs, and Turkey through lightning-fast development cycles and mobile-first design that captures a global audience.

Both Turkey and South Korea have proven their ability to produce world-class games, with Turkey focusing on fast development and mobile-first design and South Korea on polished MMORPGs and long-running franchises, and as Turkish studios expand into more genres, their global impact is likely to grow.

In 2025, Turkey stands firmly as the rising star of the mobile gaming world – in effect, a “Silicon Valley of mobile gaming” stretching across the Bosphorus. The country has built a battle-tested ecosystem that has repeatedly delivered global hits and billion-dollar success stories.

It combines a strong foundation of youthful talent, an entrepreneurial culture, significant venture investment, and an unprecedented level of public-sector support for game ventures.

This unique recipe has made Turkey the #1 mobile gaming hub of its region and a top contender globally.

The road ahead looks promising but comes with challenges. To sustain momentum, Turkey will need to address the talent bottleneck by training even more developers (and possibly attracting foreign experts) so that growth isn’t stifled by lack of human capital.

The industry would also benefit from diversifying into new genres and platforms – translating the prowess in casual/mobile into success in mid-core games, PC/console titles, and emerging areas like VR or the metaverse.

There are signs of this evolution already, with mobile studios branching into PC games and exploring “AI-first” game development techniques. Additionally, fostering some homegrown publishers or larger Turkish game companies that can acquire others would indicate a maturing ecosystem ready for the long game

All indicators suggest that Turkey’s ascent is far from over.

The government remains committed to tech and is likely to continue (or even expand) incentive programs that have been a magnet for the industry. Investors worldwide are still eyeing Turkey as a hotspot, especially as other markets face funding slowdowns. Most importantly, the track record of success has created a self-perpetuating cycle – success breeds experience, which breeds new startups and attracts more capital. As one industry veteran put it, Turkey’s gaming community has built a “solid base”, and now the true test is ensuring longevity and resilience in the face of global competition.

If Turkey can navigate those challenges, it is poised to remain one of the world’s most exciting and productive centers for mobile game development in the years to come.

In fact, by leveraging its strengths and learning from established hubs, Turkey may very well define the next chapter of mobile gaming – proving that its rise to the top was not a one-off spike, but the start of a sustained legacy in interactive entertainment.

If you are considering entering Turkey’s fast-growing gaming market, now is the time to act. Whether you need guidance on company formation, tax structuring, or available incentive programs, our team at OZM Consultancy provides end-to-end advisory for foreign and local investors in the gaming industry.

Contact us today to learn how we can help you establish and scale your gaming venture in Turkey with the right fiscal and legal framework in place.